May 8, 2026
Your morning brew of art world media
Welcome to Art Spell, a daily, comprehensive roundup of art news and reviews for the visual arts community. Today’s Editor’s Pick is An Unprecedented 24-Hour Strike Could Upend the Venice Biennale by Jo Lawson-Tancred for Artnet. A strike is escalating tensions over Israel’s participation, dividing artists between protest and using the event as a global platform for political expression.
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Emily LaBarge, Sarah Morris
The Art Newspaper
Gabriella Angeleti, Rio’s Museum of Image and Sound finally opens after 16 years in development
Gareth Harris, Banksy’s Venice mural has been restored and will now tour city
Gareth Harrus, Sound-based Holy See pavilion opens at Venice Biennale as Vatican’s contemporary art ambitions grow
Daniel Grant, Metropolitan Museum receives $23m to endow internship programme
Martin Bailey, One of Van Gogh’s greatest watercolours could achieve a record price
Anny Shaw, S&M-inspired Greek Pavilion in Venice confronts its fascist chains
Richard Conway, Thinking small and dreaming big in Isabel Nolan’s imaginary world
Sarvy Geranpayeh, ‘This is an opportunity that will never happen again’: Syrian artist Sara Shamma on rebuilding her country
Artforum
Thomas Patier, Venice Biennale 2026: Kosovo’s Brilant Milazimi on his monumental tableau
Pablo Larios and Dana Awartani, Venice Biennale 2026: Saudi Arabia’s Dana Awartani documents destroyed heritage sites
Nolan Kelly, To Beige or Not To Beige? The Devil Wears Prada Sequel Takes On Quiet Luxury
From the Editors, San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal
From the Editors, Dialing Up the Dollars: Giorno Poetry Systems Names Inaugural Recipients of New Need-Based Grant
From the Editors, Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates
From the Editors, Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation
Artnet
EDITOR’S PICK - Jo Lawson-Tancred, An Unprecedented 24-Hour Strike Could Upend the Venice Biennale: A growing coalition said the event can no longer operate as ‘business as usual.’ Others are weighing solidarity against the rare visibility that participation provides.
Min Chen, Fair Warning Bets Big on a Banksy That Could Realize $18 Million
Richard Whiddington, Frank Stella’s Personal Collection of Navajo Textiles Goes on View for the First Time
Richard Whiddington, Never-Before-Seen Marilyn Monroe Letters and Artifacts Surface at Auction
Sonia Manalili and Kate Brown, The Most Provocative Performance in Venice
Richard Whiddington, A Vienna Theater Opens Its Prized Klimt Ceiling Paintings to Tours During Restoration
ARTnews
George Nelson, Controversial Painter Georg Baselitz Knew His Venice Show Would Be His Last. He Went Out Quietly.
Harrison Jacobs and Christopher Garcia Valle, Video: Natasha Tontey Unveils New Immersive Installation Exploring Indigenous Resistance During Venice Biennale
Anne Doran, Dian Suci Wins the 2025–27 Max Mara Art Prize for Women
Tessa Solomon, Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale
Andy Battaglia, Radiohead Spectacle in Brooklyn Teems with World-Building Paintings, Sculpture, and Film
Leigh Anne Miller, Lithuanian, Latvian, and Estonian Pavilions Stage Pro-Ukraine Procession During Venice Biennale
Daniel Cassady, Aspen Art Fair Names More Than 35 Exhibitors for 2026 Edition at Hotel Jerome
Alex Greenberger, Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation
Alex Greenberger, Here’s Why the Venice Biennale Main Show Lost One Artist During the Planning Stages
Brian Boucher, Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week
Daniel Cassady, Loïc Gouzer’s Auction Platform Fair Warning to Sell Major Banksy at Tiffany’s Flagship Store
ArtReview
Jenny Wu, The 2026 Venice Biennale Is Quintessential Biennial Art
From the Editors, Venice Biennale 2026 Highlights: Arsenale & Giardini
The Brooklyn Rail
Felipe César Londoño, A Tribute to Asher Remy-Toledo
Dina A. Ramadan, The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant
Minh Le, Seth Price: Redistribution 2026–2007
Lola Kramer, Milko Pavlov
William Davie, Georges Seurat: Seurat and the Sea
Financial Times
Melanie Gerlis, You can wait ages for a Rothko — now five have come along all at once
Josh Hickey, Why is Shoji Yamasaki pretending to be a discarded piece of paper?
Frieze
Marko Gluhaich, ‘In Minor Keys’ Review: Its Best Moments Live in the Institutions Koyo Kouoh Built
From the Editors, Alison Roman’s Top Picks from the Frieze Viewing Room
Sonja Teszler, ‘Afterimages’: What Does It Mean to See Through Overload?
From the Editors, 10 Works Under $10K at Frieze New York 2026
The Guardian
Jonathan Jones, Artists v fascists, Khmer Rouge horrors, fab flowers and an eye-popping nude – the week in art
Alexander Cheves, ‘I told his family he was HIV positive’: Keith Haring’s best friend on life with the artist as unseen works go on show
Steven Morris, Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study
Kelly Burke, Archibald prize 2026: Richard Lewer’s portrait of artist Iluwanti Ken wins $100,000
Kate Hennessy, Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’
Hyperallergic
Hrag Vartanian, “In Minor Keys” Hits All the Right Notes
Hakim Bishara, A Whole Lot of Nothing at the US Pavilion
Greta Rainbow, Artists Pay Tribute to Koyo Kouoh in Poetry Caravan at Venice Biennale
Arthur Nersesian, Keith Haring Before the End of the World
Valentina Di Liscia, Art Movements: New Museum Names Its First Artist Studio Residents
Aaron Short, American Folk Art Museum Workers Picket Gala, Calling for Higher Wages
Erin L. Thompson, An Unlikely Friendship Between Artist and Forger
Lakshmi Rivera Amin, Required Reading
The Los Angeles Times
Iris Kwok, Meet four artists behind the public art you’ll see at L.A. Metro’s new D Line stations
The New York Times
Jason Farago, An American Artist Plops His Sculptures on a World Stage
Deborah Solomon, A Paul Klee Angel Finally Lands in New York
Arthur Lubow, A Grieving Mother Safeguards Her Son’s Artistic Legacy
Zoey Poll, Why Is Everyone Obsessed With Bogs?
Annabel Keenan, A Question for Dealers: Show Solo Artists at Fairs or Group Exhibitions?
Observer
Wana Udobang, Nengi Omuku Sees Value in Beauty During Times of Global Disruption
Jordan Riefe, At Jeffrey Deitch and Matthew Marks, Charles Ray Is Still Full of Surprises
Elisa Carollo, The Philippines Pavilion Turns the Country’s Maritime History into an Archive of Universal Longing
Urgent Matter
Adam Schrader, Emmalea Russo skewers the art world in surreal sequel ‘The Moon Papers’
From the Editors, Pro-Palestine protestors demand end to ‘artwashing’ at the Venice Biennale
The Wall Street Journal
From the Editors, Manuela Hoelterhoff (1949-2026)
Kelly Crow, In Venice, the World’s Biggest Art Show Descends Into Infighting
Art Spell is a subscription-based daily roundup of art news and reviews to help you stay current with what’s being reported on in the visual arts community. The profits from Art Spell are donated to organizations supporting art journalists and writers.

